Phone proximity is used, so if your phone is in proximity to his, the algorythm can note a relationship between his interests and yours- or even the interests of people who also interact with him.

It’s possible his behaviour is learned from a narcissistic parent, or that enough of his customers are involved in learning about narcissism. OR you also mightve been at a Cafe near a clinic for long enough your phone tried to ping the office wifi, and you just noticed it because of your interactions with him.

Google also uses your relationships, so maybe a person you know is interested, or you watched a video about (blank) and a lot of those viewers also watched narcissism videos. Your brain is asking the connection to the contractor because it’s an intuitive logical leap.

Phones spy on us in a dozen different ways, mostly pattern recognition. They track location without GPS (by recording wifi pings), and track interests without the microphone. So they can claim they’re not tracking those specific things while still gathering scary amounts of data.

Moat of the teams I see hiring designers are still using Adobe, and printshops take .ai files. But most of the solo designers I know use Affinity, and I’ve heard of one (albeit small) team that has swapped to Affinity for their whole team.

Affinity was just bought by Canva so idk how it might evolve over time, or if v3 will make compromises I don’t agree with. But I got v1 during Covid, loved it, converted to v2 as soon as it was available, still love it. Using all of them on the same file in the same window feels amazing.

Another downside is that designers rarely make asset packs for Affinity. But I’m pretty sure Affinity is able to import brush pack formats from one of the other big names, just not sure which (likely Adboe’s .abr)

I don’t like painting in Photo though, but that might be because I’m so used to Krita, which is designed for illustration in the first place. (They’re great, I might donate to them again actually)

I use Affinity Suite for work. Paid for it once, have it forever. Free updates until new editions, which are discounted if you own an older edition. Buy it for one platform (Windows), that’s a license for that edition of any other platform too. AND they regularly go on special, often to 50% off.

It doesn’t have AI content generation, but it does a few things Adobe doesn’t - like being able to use Photo and Designer from INSIDE Publisher, seamless like its a single program!

Affinity Photo (Photoshop), Designer (Illustrator), and Publisher (InDesign). Then Krita for raster illustration. That’s all I need as a professional

Yeah I remember thr same thing. Everything else was suppose to be a package update.

But back-end technology and usage expectations change, and there’s a limit to what front-end changes an existing user tolerates. That was never a promise they could keep.

It has lasted a really long time, though. I don’t decry 11 existing. I’m upset they’re sunsetting 10 without giving us a chance to wait for 11 to get better, let alone for ‘oops we fixed the fuckups’ W12.

Nope, will probably avoid 11 as long as I can though. I have an Mvidia card (drivers are notoriously troublesome on Linux). And I need professional design software for work (as in, industry standard: Adobe or Affinity).

But I put 11 on my laptop to try it and I hate it. So many terrible UI changes, UX noticeably worse. Like they changed stuff just to say they changed stuff.

I considered going Linux for personal use and development, and then using another machine or dual boot for Mac for design software. But i learned about the Nvidia issues after I upgraded my card :/ and swapping to Mac’s walled garden after avoiding it for decades is… a sign of how bad W11 feels to use.

This is what I do, except I would add 700 and 236 at the end.

Well except I would probably add 700 and 116 or something, because my working memory fucking sucks and my brain drops digits very easily when there’s more than 1